You have not experienced ballet like this unless you’ve been a ballet student (or the dutiful parent of a ballet student). There are numerous reasons to attend an American Contemporary Ballet presentation.
But first, let us get this out of the way: American Contemporary Ballet (ACB) is not a modern dance company. ACB founder and creative director Lincoln Jones refers to his work as “contemporary classical” ballet because he produces new works that strive for a classical aesthetic. He very much pursues the American tradition of George Balanchine, where ballet morphed from a theater-driven art form to a music-driven art form.
An ACB event is an up-close & personal, first-row education in ballet. This is, in part, due to the studio setting (more on that in a moment). The usual curriculum is Lincoln Jones will describe a specific dance move or series of dance moves and has each dancer execute the moves. Jones will point out the real challenge of each move and point out each dancer’s strengths and weaknesses in the series. The dancers will then re-do the series with corrections. You truly get to see how each dancer leaps, lands, etc. in slightly different ways depending on the dancers’ individual strengths (and these are professional dancers near the top of their game). You also get to see just how challenging the moves are and how much the dancers sweat. You would not catch these differences in typical auditorium seating.
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